Venue: Veralum Farm, Charlottesville, VA
Florals: Floral Image Design Studio
Videography: Ian Atkins
Bride’s Dress: Bella Rosa
Bridesmaids Dresses: Nordstrom
Coordinator: Kennon Ibbeken
Guys Tuxes: Jos. A. Banks
Cake: Favorite Cakes
DJ: John Garland
Hair Artist: Lucas Shaffer
Makeup Artist: Jeanne Cusick
Catering: Harvest Moon Catering
Rentals: M&S Events
Sound: Pete Katz
Ceremony Musician: Brandon Thompson
I am SO excited to announce the winner of my day after session giveaway! Congrats to Kaytlin M.!!! Email me se we can set up your session! Yay! Also, as a sort of second place – two other couples are winning 50% off a day after session: Elizabeth Allen and Madison Webb! Congrats! Email for more information! :)
I LOVE day after sessions! While the term may be confusing, it is a session for the bride and groom any time after the wedding day (even a few years later if wanted!). Chris and I decided to a day after session after our wedding, and it was such a great decision! On our wedding day, things ran late so we we weren’t able to get very many shots of just the two of us, so a session not only gave me a chance to wear my dress again (and do my hair and makeup a different way!) but give me some of my favorite images ever!
Day after sessions are so great! There are many reasons why I love them! 1. A wedding day can be stressful, tight on time or full of bad weather. A day after session allows the couple to have more images of the two of them without time constraints, and another chance in case it rained or they didn’t get all the images they wanted. 2. On the wedding day a bride always has to be careful of her dress, but during a day after session, there is no need to worry about her dress getting dirty, so there are so many more exciting things that we can do! 3. On the wedding day you are pretty limited as far as locations go, but for a day after session, we can explore and use so many other options!
So because I love day after sessions, and feel that they are so important, I want to do a little giveaway!
I want to give one fully styled day after session to a couple! This will include props, bouquet, etc. I want it to be wonderful! I have some incredible ideas planned! All you need to do is comment below with why you want to win!
The session will take place sometime this summer – based on my schedule and the couple’s schedule.
I don’t get to shoot maternity sessions that often, so when I do, I am always excited for such a wonderful opportunity! When I am shooting a maternity session, there is so much joy and excitement there – the anticipation of getting to meet their baby! Ben and Karen were in Charleston last month for their babymoon and it just happened to be the same time that Chris and I were there for a little trip too! I am so excited that they choose me to capture such a wonderful time and I am thrilled that we were able to shoot in Charleston – one of my favorite cities! Karen is an awesome photographer in Richmond, and I am so glad that we got to work together! Check out this wonderful and gorgeous couple below!
I love it when photographers start to explore film. Film is not a dead art, and has so many advantages over digital (digital of course has its uses too – but I am partial to film! Read this for some more thoughts on film)! My hope with this blog post is that if you are thinking of starting your own film journey, then this will encourage and inspire you!
(Disclaimer: I by NO means know everything there is to know about film! This post is just some basic thoughts.) These are just some of the things I wondered about when I first started shooting film!
Basic types of Film Cameras:
1. 35 mm
The smallest format. The camera you used as a little kid (or your parents used when you were a kid) was probably 35mm.
2. Medium format
This is what I primarily use. It is gorgeous. It has a bigger negative than 35mm, therefore resulting in a better quality image.
3. Large format
I haven’t explored large format yet, but hope to in the near future! I already have some plans about it!
What film cameras I shoot with:
1. 35 mm – I have a Canon 1-V. This is a professional 35mm film camera. I love it because I can use all of my L series lenses with it!
2. Medium format – Contax 645. This is my main film camera. I adore this camera. It uses Zeiss glass (the best there is!), so you are getting an unbelievable image!
1. Light Meter: If you want to be serious about shooting film, then you need a hand held light meter. I use a Sekonic 358.
2. Additional film inserts for my Contax – this means that I can preload rolls so that I don’t waste time while shooting.
There are TONS of different film stocks out there. Here are a few I use:
1. Kodak Portra 160 – I only use this color film in really bright situations!
2. Kodak Portra 400 – Great color film for so many uses! I use this film the most often.
3. Kodak Portra 800 – My favorite color film stock! It is so beautiful! Great for when the sun starts to set.
(The three listed above have a bit more pop and vibrance than the Fuji listed below)
4. Fuji 400h – A great color film. More pastel-like than the Porta.
5. Ilford delta 3200 – An awesome grainy black and white film!
I usually shoot with 120 film. This means that there are 16 exposures per roll. You can also get 22o film – this means that there are 32 exposures per roll (120 and 220 are medium format films. I use the same films above for my Canon film camera as well – but 35mm film rolls have 36 exposures).
Labs to send your film to (there are a ton of these as well, but here are some of my favorites!):
1. Richard Photo Lab – This is who I send my film too! They are great!
4. Film Box
The Film Process (at the lab): - Should I order prints or scans? How do I send film to a lab? How does the whole process work?
I am not going to dive into developing film here, but more what it looks like on the photographer’s side who sends film to a lab.
1. Mail out your film – I always overnight mine and get insurance on it. I put all my rolls of film in a plastic ziplock bag (so there won’t be any water damage), then in bubble wrap before it goes into an overnight mailer. I don’t want them to be crushed or damaged in anyway.
2. Most labs will require you to include a film order form. This will have you list the types of film you are sending in (6 rolls of 120, etc.) and what you want done to them. Prints (what size?), scans (what size and on what scanner?), Push or Pull (a whole post could be written on that – but very basically, it tells the lab how long the negatives need to be in the chemicals – I usually process normal). I always get scans (you can have them just process the negatives if you want – or get prints but not scans) and occasionally prints too.
3. After a lot of waiting (every lab’s wait time is different – but it always feels like a long time!), you will receive a link from the lab to download your scans. You can now share on social media, blog or give them to your clients.
4. About a week later your negatives (and prints if you ordered those too) come in from the lab. Store the negatives somewhere safe – you may never know if you will need them in the future!
Scanning at the lab:
1. There are two different types of scanners you can use: the Frontier and the Nortisu. I always use the Frontier. It mostly is preference, so figure out what you like. Here are two shots below. Both with Fuji 400h. The first one is on the Frontier and the second with the Nortisu (both with my contax). The Frontier takes longer – but I think it is worth the wait. If you are in a hurry, than you can use the Nortisu.
Focusing Your Camera:
When I shoot with my Contax, I always manually focus. I will do half and half with my Canon. With manual focus, you can choose how you want the focus to be – a little softer (like I like!) or on the sharper side. You can also choose what you want in focus (the bride’s hair vs. her flowers, etc.) For example, I love the softness of the images below. This couldn’t be achieved with auto focus though!
I hope this was helpful! If you have questions, let me know, and I will try to answer them all in a Q+A film post!